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Singing the Lord’s Song

By Fr. Stephen Freeman, July 27, 2020  In my first parish as an Anglican priest, I approached my first Midnight Mass with eager anticipation. I was trained “High Church,” with a very traditional liturgical emphasis – but I was serving in a “Low Church” parish. I was the first priest in their history to wear Eucharistic vestments as a normal practice. But it was common, even in Low Church areas, for the Midnight Mass to

The Future of the Church

We are living in an age that has witnessed changes on a massive scale as never before. The way we communicate has changed with the coming of the internet, with information available that would have required a library and advanced degrees to access in the past. Ideas and information are available that leave our youth with choices that were never available a generation ago. Moral norms have changed, with values and lifestyles that would have

The Fifth Day of Great Lent. The Icon of Music

By Fr. Stephen Freeman, February 28, 2015  This Sunday, the First Sunday of Great Lent, marks the return of the holy icons to the Churches in 843 A.D.  It is celebrated as the “Sunday of Orthodoxy.” This article offers a reflection on a different form of the icon – of equal importance – and equally worth protection and care. Orthodox theology is a “seamless garment”: no part of Orthodox doctrine, worship, prayer or life stands

Singing the Lord’s Song

By Fr. Stephen Freeman, February 18, 2015 Man is a musical composition, a wonderfully written hymn to powerful creative activity. – St. Gregory of Nyssa (PG 44, 441 B) In St. Gregory’s thought, man is not only a singer, but a song. We are not only song, but the song of God. Indeed, within one theme of the fathers, all of creation is the song of God, spoken (or sung) into existence. “Let there be light,” is more

Music and Mediation in St Gregory of Nyssa’s Commentary ‘On the Inscriptions of the Psalms’

By Father Matthew Baker In his On the Making of Man, St Gregory of Nyssa likened the human body to a kind of musical instrument, played upon by the mind of man. In the same work, he dismissed as pagan the idea of man as microcosm. Yet later, in his dialogue On the Soul and the Resurrection, Gregory espoused precisely this notion of microcosm in order to express the mediatorial role of the human being between intelligible and